“Saving Sophie” by Sam Carrington

I know I am completely overgeneralizing here, but hear me out. Someone once told me that Americans have this need for hope in their television shows, some sign that things are going to get better. In contrast, British television has no problem showing the darker, more realistic side of life. This is why the American version of the popular television sitcom The Office needed to be tweaked to illustrate more positive relationships and outcomes to appeal to American audiences. I’m sure I could do some research and find a more eloquent way to explain this, but I don’t want to steer too far from my point. And this isn’t a research paper, so no, I will not cite any sources, Mrs. Flannery.