“My Girl” by Jack Jordan

My Girl is a solid, intense read. The plot felt overly condensed, but still clear and engaging. I actually liked the short, quick chapters – it kept up the suspense and made it easy to digest in a single sitting. Even though I was slightly reminded of Rachel in The Girl on the Train, I came to admire Paige, and I felt that Jordan did a good job creating the detached and damaged female character. Unfortunately, the character development did not go much beyond Paige; there simply wasn’t enough time to feel anything about anyone else.

“Saving Sophie” by Sam Carrington

I know I am completely overgeneralizing here, but hear me out. Someone once told me that Americans have this need for hope in their television shows, some sign that things are going to get better. In contrast, British television has no problem showing the darker, more realistic side of life. This is why the American version of the popular television sitcom The Office needed to be tweaked to illustrate more positive relationships and outcomes to appeal to American audiences. I’m sure I could do some research and find a more eloquent way to explain this, but I don’t want to steer too far from my point. And this isn’t a research paper, so no, I will not cite any sources, Mrs. Flannery.

“The Good Girl”

Wow, the reader ratings on this one are all over the place, and I can totally see why. If I had to pick three words to summarize this novel, I would say intriguing, predictable, and inconsistent. I chose these words carefully; first, intriguing, but not for the intended reason. As most readers imagined, the marketing and synopsis of The Good Girl made you think you’re getting a dark, suspenseful thriller. Moreover, the structure of the novel tells you from the very beginning that Mia had been recovered, which led me to believe, OK since we know she’s been found, something crazy is going to happen in between. Sadly, not entirely true. In place of a mysterious twist, we received a prolonged, shifting narrative of the developing relationship between Mia and her captor, Colin (or as she knows him, Owen). While I was surprised at the focus of the novel, I was actually intrigued by the potential to spin a plot in which you sympathize with the captor. While many have criticized the juvenile relationship (due, in part, to poor character development), I still feel there was fertile ground for a dramatic take on such a relationship.